Somewhere back in the mists of time, when I was still just a lowly design intern, a colleague handed me a Field Notes booklet to write down my Photoshop short cuts. There was something about the texture and simplicity and the Futura that completely revolutionized what I considered “good design.” It was one of those flash point moments for me in my professional life. And call it a case of extreme laziness (because it says in detail in the back of every Field Notes booklet), but it wasn’t until a few years later that I learned Aaron Draplin lived in Portland. I met Aaron briefly at the first Portland Bazaar and was completely surprised at his unguarded and friendly disposition. He is one of the nicest, most earnest men I’ve ever met, and as far as I know, he wears his Carhartt jacket to bed.
I recently shot the images below for a spread in HUGE Magazine, Japan. Their current issue features people who collect interesting and eclectic items and ephemera. Mr. Draplin happens to have a rather extensive collection of interestingly designed Americana, including possibly the world’s largest collection of bullet pens. Naturally, a perfect fit for the article. While I was shooting, Aaron expounded a little on why he collects all this stuff — that it’s about saving little pieces of history from the junk heap. He takes these matchbooks and pens and name plates, etc, and incorporates elements from them into his designs, effectively resurrecting a part of history that would have otherwise been lost. Pretty awesome idea. And the best justification I’ve ever heard from any hoarder. ^_^ Incidentally, I think I’m the same with old cameras — I buy them to save them from everyone else haha.
I was truly honored to have been able to work with Aaron in an official capacity. I hope it’s not long before our paths cross again.