With 2013 — The Year in Chronological Review

2013 is gone and buried the world over. Happy New Years and a hearty hello to 2014.

In order to welcome in the next 365 days, I’ve compiled, in chronological order, a set of 100 of some (I could have easily done 200) of my favorite photos from 2013. By my very rough, back-of-the-envelope calculating, I figure I’ve shot around 8,000 frames of film in the last year. Selecting only 100 images in order to create a cohesive review was a bit of a task. Some things that I am proud of from 2013 are not here represented, and others are simply under embargo. Of the things I can share, though, I feel this is a solid core sample.

2013 was really the year of Japan for me. By the end of November, I’d been to that most awesome of countries a total of four times. As such, a disproportionate amount of the photos here are taken for Japanese clients or were taken in Japan itself. I can honestly say that after this year, I am more comfortable making my way around Tokyo than almost anywhere else on the globe.

A number of important milestones were reached for me this year—shooting for Nike while using film being chief among them (the photos are unfortunately on lockdown). I was able to continue and build upon my relationship with Kinfolk Magazine, and the Kinfolk Table, a sizable portfolio of my 2012 work, was released successfully. I was blessed enough to shoot another cover story for HUGE magazine, with portraits of Chaz Bundick of Toro y Moi and Steven Ellison of Flying Lotus. Beginning the Overgrowth project, a collaboration with my dear Riley Messina, and exhibiting those images overseas was another big achievement. Perhaps my favorite moment of the entire year was being able to meet and shoot a lunch session with Jiro Ono.

I can honestly say that 2013 was the busiest year of my life. I am happy to say that because I could honestly say the same about 2012 way back then, which I think is a great measure of growth.

By the same token, 2013 reminded me that it is imperative to keep one’s mind in the moment (as opposed to being fixated on the moments, hours or days just ahead). C. S. Lewis said that “the Present is the point at which time touches eternity,” and I happen to agree. It’s sometimes terribly difficult to remember to appreciate that present, though, when you’re living out of hotels and have three or four shoots to pull off in a day. How soon the pleasures of work and travel become mundane unless we steel ourselves against such things.

Lastly, 2013 saw the beginning and the deepening of many important friendships—first and foremost in my relationship with Riley. Secondly, in my friendship and partnership with my brother. Third, with my dear friend Sawako Akune. And fourth, with the wickedly talented Hideaki Hamada. My life is now full of affections for literally hundreds of people here and in Japan that I didn’t know a few mere months past. It’s strange and interesting how quickly life can pivot, and worlds can open up.

And on that note, I will simply say that I am excited for the new year. Let’s do our utmost to make it a good one, shall we?

With Jarrod Renaud, Christmastime 2012

The year 2011 was winding down, it was close to Thanksgiving and I was home visiting family in Colorado. While there, I had an opportunity to get together and shoot some photos with a new friend of mine — a guy named Jarrod Renaud. Since then, Jarrod and I have become pretty close and this last Christmas, we had that same opportunity to meet up and take photos. I’ve really come to appreciate short, reoccurring sessions that allow me to kinda gauge my progress as a photographer. I consider shooting with Kara Caldwell something like that, and now hopefully I’ve begun the tradition with Jarrod.

So as the year 2013 begins to gear up, I figure it’s a good time to share just a few of my favorites from only a few weeks back. And, if I didn’t post these now I’d be running the risk of Spring showing up, and once that happens, snowy photos will totally feel out of place. So, ya know, there’s that too.

For those interested: all photos taken with various Contax cameras using Kodak Portra 160 and Tri-X 400.

Oh, and yeah! I just totally updated my portfolio. Almost completely restocked it with imagery from 2012 like some sort of visual fish pond. Maybe you’d like to see?

With Kara Jean Caldwell

Admittedly, I feel a little guilty posting a blog while in India (isn’t there myriad more awesome things I could be doing here?), but it’s after dark and my body has no idea what time or what day it is and I am up and can’t sleep. And in any case, I’ve been meaning to post these photos for a few weeks now, so I’m just going to chalk this up to ‘being a little extra-special efficient.’ Here goes.

Shooting with Kara has become something of a yearly tradition. I’ve been taking photos of this woman almost since I’ve known what medium format was and I’ve come to regard our sessions together as benchmarks —a shoot with Kara for every year that I’ve been studying photography.

The first time I pointed a camera at Ms. Caldwell, I was using a Rollei SL66 with so many light leaks that every other photo was completely unusable. The few that did turn out, though, are still some of my favorites (this and this and this). The second time I shot with Kara was the first time I used studio lights ever. Our third session is now below. It was very laid back and shot mostly on her staircase. Here’s to another year and another shoot. May there be many, many more.

Of course, notes: all of these photos were shot using Kodak Portra 160 (except for the Polaroids, obviously). I used a Leica M3, a Contax 645, and a Polaroid 195 (just so you know).